Artboards act as blank canvases that you may use to design your creations. In Adobe Illustrator, a new document typically begins with one artboard by default, but occasionally we might add additional artboards. Your productivity will increase if you use numerous artboards since you can handle all of your files in a single document.

In Illustrator, moving an artboard may be done using one of two methods. Utilizing the artboard tool is the first approach. Utilizing the artboard panel is the second alternative approach. Both methods essentially involve activating the tool, selecting the artboard, and dragging it to the desired location.

Keep reading below as we take you through both these methods in more detail.

How to Add an Artboard

We must first become familiar with creating artboards before learning how to rearrange them in Illustrator. You can use the steps in this section to add an artboard in Illustrator.

Step 1: The majority of the time, when you choose New Document and then Project Type, this happens on its own

Step 2: Select the Artboard Tool (Shift-O) from the tool menu to start building an artboard from scratch. Make your artboard by clicking and dragging your mouse around the gray area.

Step 3: If you wish to change the proportions, rename your artboard, or use a preset, click the Artboard Options button.

Step 4: To manually resize your artboard, just utilize the Artboard Tool and move your mouse over its boundaries until the appearance of the pointer changes and indicates that you may do so. then resize by simply clicking and dragging.

Step 5: Navigate to the Artboards Panel (Windows > Artboards) and select the Add New Artboard option to add additional artboards to the project.

Moving Artboard in Illustrator

There are two ways to move your artboard in Illustrator, and both are covered in this section.

For more information on how to move artboards in Illustrator, watch this video below:

Using the Artboard Tool

Step 1: To begin using this method, use the Artboard Tool. (Shift+O) is the shortcut for this tool on the keyboard.

Step 2: After deciding which artboard tool to use, choose the artboard that you wish to move or rearrange. Select the artboard by clicking on it.

Step 3: Drag the chosen artboard to the area you wish for it to move.

Similarly, you can duplicate any artboard by following these three easy steps: 1) click on it, 2) hold down the Alt key, and 3) drag it.

Using the Artboard Panel

Step 1: From the toolbar on the right side, select the Artboard panel. Next, you may manually launch an artboard panel from the Window option on the toolbar if one is not already visible anywhere on your screen. Simply drag the panel to the tray. Your artboard panel is now conveniently located in your tray.

Step 2: You may see a collection of your artboards in the artboard panel. Your artboards can be altered, rearranged, resized, removed, or moved here. The artboard panel has all the tools you need to modify your artboards.

Step 3: From the list of artboards in the artboard panel, choose the artboard you wish to relocate.

Step 4: Once the artboard has been chosen, move it where you want it to be by using the navigation button (move up or down arrow).

Step 5: Save the document once you have the artboard in the location you want. Only after doing this will you be able to view the adjustments you made or the sequence you gave the artboards.

As an alternative, you can choose, drag, and place an artboard inside the artboard panel.

How to Rearrange Artboards in Illustrator

The steps listed below can be used to reorganize artboards in Illustrator’s Artboards Panel.

Step 1: Let’s look at how to rearrange the artboard orders in Illustrator. To change the order, go to the Artboards Panel, choose an artboard, and then use the up or down arrows.

Step 2: Next, we’ll cover how to rearrange the Illustrator artboards within the workspace. Click the Rearrange All Artboards button at the bottom of the Artboards window.

Step 3: You may choose from four distinct layout choices in this new tab; these are Grid by Row, Grid by Column, Arrange by Row, and Arrange by Column. For each new layout, decide how many columns or rows you need and determine the distance across each artboard.

If you wish to move your artwork along with the artboards, make sure that Move Artwork with Artboard is also selected.

Conclusion

And that’s how you move artboards in Illustrator. We sincerely hope that you find this Illustrator tutorial useful and pick up some new techniques you may use for your personal work. Happy editing!

Gaining expertise in Photoshop is more complex. The application has many functions, which might take a lot of time and effort to comprehend. If you’re a beginner, you likely have a long road ahead before fully utilizing Photoshop’s capabilities.

Traditionally, the Magic Wand tool removes all of one color in Photoshop, but it’s not as effective. For this tutorial, we will remove all one color in Photoshop using the Magic Wand and Color Range tools.

Keep reading below as we take you through more information.

Removing a Color Using the Color Range Tool

You may choose and change a subset of colors in a picture with the Color Range tool. After your selection has been defined, it only takes a few simple steps to replace or remove it. Although not the simplest function to use, it is easy, and with only a few attempts, you will understand how it operates.

For more information on how to remove all of one color in Photoshop, watch this video below:

Step 1: Load Image

• To begin, load your image in Photoshop.
• It is recommended to duplicate the layer once you have your image because doing so will make it simple to fix any problems. In order to choose the color more easily, it would also be a smart idea to zoom in on the precise areas of the photograph.

Step 2: Select Tool

• After completing this, choose Color Range from the toolbar.

Step 3: Adjust Settings

• From this point on, you may adjust a number of settings to remove a certain color successfully. Here, you should choose the eyedropper tool (the standard one) and click on the color you wish to delete.
• The Fuzziness should then be adjusted to meet the selection accuracy. This modifies the color range and the number of certain pixels which will be deleted. Feel free to try a few different approaches; this may need some experimentation.
• Utilizing the “localized color cluster” option is another alternative. It controls the distance between each deleted color and the sample point. This is useful when you have many items with similar colors and wish to include/exclude them from the selection. 

Step 4: Delete Color

• After making all the necessary adjustments, press Delete to delete that particular color completely.

When you look closely, you will see that all of the shadows and gray regions have also been eliminated in addition to the simple white color. The procedure is the same whether you want to remove a color from the foreground or the background.

Replacing the Deleted Color

You can then select a different color to replace the erased one. Simply add the new color to a new layer after creating it. Your new color should seem completely unaltered if the chosen color range was successfully removed.

It’s possible that after removing a certain color, some sizable black or white regions will start to seem semi-transparent. This doesn’t imply that you did something wrong and you can quickly repair it.

• Ctrl + Shift + I (or Command + Shift + I on a Mac) will create a new layer below the semi-transparent portions while the color range is chosen.
• By pressing Ctrl + Shift + E (Command + Shift + E on a Mac), you may combine the layers by filling the layer with the item’s color that lost its transparency. 
• The image will become normal again, and you may continue altering it.

Removing a Color Using the Magic Wand Tool

Here’s a brief tutorial on how to use the Magic Wand tool to attempt to erase a color. You may have different levels of success.

• Launch Photoshop and choose the Magic Wand tool from the menu.
• Then, click on a region of the image that has the color you wish to delete. Holding Shift while clicking on a portion will add it; holding Alt while clicking on a section will remove it.
• The tolerance level, which is used to establish the color range relative to the selected pixels, may then need to be adjusted.
• The picture will then be inverted by pressing Ctrl + Shift + I.
• From here, open the Layers window, select the image layer, and then add a layer mask.

Now that the color should be gone from your image, you may add a new backdrop layer if needed.

Conclusion

Even if it’s not the easiest task, it is possible to remove all entries of the same color from a picture, and you can become used to these features rather quickly. Once you’ve done it a few times, it will come naturally to you, and you’ll be able to do it right away.

Have you scoured Canva for a tool to outline your text and found nothing? We offer our condolences. This may be because Canva offers a challenging way to outline your text. There are several ways of hacking this and making your outline. We shall discuss the easiest and most effective one. 

To outline text in Canva, copy your text, change its color to a lighter color, and align it exactly on top of the original text. Now using your keyboard, move your text left by hitting the left key four times, then hit the up key four times to move the text upwards. Once done, send it to the back. 

Copy your text again, change the color, align it, and move it four keys to the right and four keys downwards. Repeat as many times as you want or as thick as you wish the outline to be. 

For more details and a guide, continue reading. 

Why Is Text Outlined In Designs?

Text outlining in graphic design is used to make text stand out from the background or other design elements. This technique is often used to create a sense of depth and to draw the viewer’s attention to the text. 

Outlined text can also create a unique visual effect and add a creative touch to a design.

Copy And Align The Text

The first step is to copy the text and align it directly on top of the original text. To do so:

1. Write down the word that you wish to outline.
2. Select the text.
3. On the top right, go to Position and choose the middle, center, right, or left. This depends on where you want your text to be. 
4. Now with the text selected, hit Control + C or Command + C to copy the text.
5. Now hit Control + V or Command + V to paste the text. 
6. Another version of the text will appear. 
7. With the new text still selected, change its color to the color with which you wish to outline the text. We recommend a lighter color than the original text color. 
8. Now go to the Position option and position the text in the direction in which the first text was positioned in Step 3. 

Set The Text For An Outline Effect

The copy of the original text needs to be maneuvered to give it the outline effect. To do so:

1. With the copy of the word still selected, move your text to the left by hitting the left key or right by hitting the right key. For good measure, hit the keys four times for the effect to show. 
2. Next, with the copy of the word still selected, hit the up key four times or the down key four times. Depending on your preference, you can do this to move the text up or down. 

Repeating The Steps For An Outline To Show

We need more than the step we performed just now to bring an outline. This merely gives the text a stroke and adds some definition to it. For an outline, you should repeat the steps a few times. Here are some suggestions that we have to make this easier for you:

1. Repeat the steps an even number of times. For example, do it 4 or 6 times or ten times. The more the repetition increases, the thicker the outline gets. 
2. Moreover, doing this an even number of times is important to perfectly divide the different directions in which the steps will be repeated. 
3. If you repeat the steps four times, you will copy and move the text upwards and left two times. You will copy and move the text downwards and right twice. Ensure that there is equal distribution. 
4. With every new copy, you must move it backward or back. We recommend moving it back. You can do so by going to Position and choosing “Move in the back.” This is done to ensure that the outline is built in the back while the original text with the original color stays in the front. 
5. Have patience, and do not rush through this! 

For further help, watch this video: 

Conclusion

We will agree with you if this is a challenging feat. Unfortunately, Canva does not allow for an easy tool to outline the text, but we have provided you with the best, most effective, and easiest way to accomplish this. The first few times will feel like a challenge, and you may text your patience due to the redundancy of the process, but keep going. You will get through it!

Paint Tool SAI is one of the tools that many artists love to use for painting unique and beautiful works of art. If you also want to start using this software, you may be wondering – how can you paint with the features in Paint Tool SAI?

You can follow this simple tutorial to paint using the Paint Tool SAI software. It covers everything from choosing the canvas size, all the way to how layers work and how you can save the artwork when you are done.

So, if you are ready to start, let’s explore the world of painting in Paint Tool SAI in this tutorial! If you have been waiting to start this process, you are in the right place! Once you are done, you will know the basics of creating art with Paint Tool SAI. 

How To Paint Using Paint Tool SAI

If you are an artist who has been wanting to start using Paint Tool SAI but is not sure what that entails, you are looking at the right tutorial! Follow along as we explore how you can create art from start to finish using Paint Tool SAI. 

Creating The Workspace

One of the first things you should start with is taking a look at the workspace and deciding what you would change. By default, Paint Tool SAI places everything on the left of the screen. However, you can move one of the two columns to the right or wherever you like. 

Setting Up A Canvas

Once you have the workspace down to how you like it, it is now time to create a new file and set up your canvas. To create a new file:

1. Run Paint Tool SAI.
2. Click on File in the top menu.
3. Choose New to open the dialog box.

Now, you can specify certain aspects of the file, such as the width and height and also the resolution. You can choose the width and height in either inches, centimeters, millimeters, or by pixels. 

Regarding resolution, your choice should depend on whether this painting is meant for print or web. Print canvases usually have a resolution of 350 DPI. 

Understanding Layers

Now that you have a new file open, it is time to discuss layers. These are some of the most crucial elements of a Paint Tool SAI file. After all, using just one layer can make it difficult to make adjustments, or even apply separated effects.

Layers allow you to draw and paint on top of each other. These can also be useful when you are using a brush with low transparency and you want different elements to show underneath.

As such, it is always better to separate out the drawing into different layers. Most approach it as the background in one layer, the line art in another layer, and coloring in another. 

You can add as many layers as you like depending on the effect you are going for. While more layers can lower the speed, it is worth it if you want to add different shades and effects. 

Choosing A Brush To Create Lineart

There are a number of brushes available within Paint Tool SAI that offer varying effects. You can also use brushes that are available online to create unique effects. To use these to create lineart, you can start with a new layer and use the brush. 

One tip is to use stabilization, as it can allow you to create smooth lines. However, the downside of the Stabilizer is that it creates a slight delay when you use your pen. 

Adding Colors

Once the line art is in place, it is time to add color. You should start with a new layer, and start by laying base colors down. You can add more colors to show depth, such as the highlights and lowlights. 

One of the best ways to do so is to draw an imaginary light source and use that to create dimension in the image. You should also add a background, although some artists prefer to keep a transparent background along with their subjects. 

Here is a tutorial on how to color in Paint Tool SAI:

Saving The Painting

Finally, when you’re done with the work, you can save your painting using the File menu and then choose to save to keep your work safe. 

Final Thoughts

As you can see, there is a lot you can do with the paint tools on Paint Tool SAI. Hopefully, you now know where to start on your next artwork!

Have you curated a masterpiece in the form of a document, but it needs printing? Being concerned about how the document would turn out, what the quality would be like, and if it would reflect all the work you put into it is quite normal. We have been there, and we learned from our mistakes. It is time we give you some insight into them and how to do this properly by adequately packaging your files. 

To package a file in InDesign, you will check the file for errors, go to File, and click Package. Now you will choose everything you wish to include in the folder containing all the information about the document. Once done, save the folder. 

To get a guided tour of the process, continue reading. 

What Is Packaging In Indesign?

Packaging in Adobe InDesign is a feature that allows you to collect all the linked files and fonts used in a document into one folder. This makes it easier to collect all the components for a project, such as images, logos, and fonts, and send them to a printer or other service provider. Packaging can also be used to create a PDF file of your document.

For a detailed description of how to prep the file before you begin the packaging process, watch this Youtube video: 

Check That There Are No Errors

The first step of packaging a file is to ensure that the file is free of any errors. It would help if you were thorough here because any small error left could mean you would have to repeat the process. To make this easier for you, Indesign checks for errors itself. 

Make sure that on the bottom of your window, it says “No Errors” with a green dot next to it. This indicates that the file is good to go. 

This tool helps to ensure that everything in the file is perfectly aligned. It checks for alignments, font consistency, general spelling, and grammatical errors. Moreover, the links’ usability and the images’ quality are also ensured through this. 

If it shows that there are errors or shows a red dot, click on the icon. In the window that opens, the error is shown. Clicking on this will take you to the error and help you locate and fix it. 

Package The File

This is the step where you shift gears. Normally you would save your file as an INDD file, but not anymore. Preserving everything that you put into the document packaging is important. 

To package your file: 

1. Save all the changes in your file.
2. Go to File in the top control menu, and choose Package.
3. A dialog box with all the necessary information will appear; this is a summary of the entire document.
4. Go through this to ensure everything that you need to add is there.
5. Click Package. 
6. A new window will appear asking for Printing Information.
7. You can add any necessary information or any comments you would like the printer to receive. 
8. Click Continue.

Make A Folder

When a file is packaged, all the data is saved. As we mentioned earlier, all the documents, links, fonts, and images get saved in a folder along with the Indd file. To make this folder, follow the instructions below. 

1. In the previous step, after you click Continue, a window will appear. 
2. In this window, the following options will appear:
   • a. Copy Fonts
   • b. Copy Linked Graphics
   • c. Update Graphic Links In Package
   • d. Use Document Hyphenation Exceptions Only
   • e. Include Fonts And Links From Hidden And Non-printing Content
   • f. Include IDML
   • g. Include PDF
   • h. Select PDF Preset
3. Select Option a,b,c,f, and g. When you select g, you would have to set the pdf preset to your liking in option h. 
4. Once you choose, name the folder in front of Save As.
5. Now click Package. 
6. A warning appears if you include fonts. Ignore the warning and click OK. 

Conclusion

It was not that hard now. This includes a few extra steps to your regular file-saving steps, but it saves you from so much future hassle. 

Trust us when we say that the satisfaction of seeing your document turn out exactly how you wanted it at the printers is worth putting in the tiny effort that goes into packaging a file in InDesign.

So you just completed an important artwork and are ready to send it off for printing or set it up to be posted online. If that is the case, you may want to preview it to ensure every part of the file is the way you want. But how exactly does the preview feature work?

You can preview documents before saving them using several modes, including pixel mode, outline mode, and overprint mode. Accessing this is pretty easy and can be done from the Illustrator toolbar. 

If you are ready to learn more about previewing your work on Illustrator, you are in the right place! Join us as we explore how to use this feature and the different modes it entails. You can also learn how this feature can help you before you save your Illustrator projects. 

How To Use The Preview Function In Adobe Illustrator

When using Adobe Illustrator, you can find an easy way to preview what the artwork will look like when it is either printed or viewed on the web. Here are the steps you need to follow to make this happen:

1. Run Adobe Illustrator on your computer or another device.
2. Open up the file that you would like to preview.
3. Now, click on the View menu on Adobe Illustrator’s top bar.
4. Choose from either Overprint, Pixel, or Trim View Mode.
5. You will now see a preview of your file, depending on your preference.

Do you want to see this process in action? Here is a video showing how to use this feature: 

To know what the right preview option for you is, you need to know what the modes covered in this section do. 

Let’s start with the Overprint Preview mode. This mode allows you to see an ‘ink preview’ that accounts for things like blending, transparency issues, and overprinting problems that can occur based on the color that you have used. 

This method is best used to check up on artwork that will be printed in the future.

There is also the Outline Preview mode. This mode shows the artwork only as its outlines or only by showing the paths of the elements. 

This helps to reduce the time for redrawing when working on complex art and can help you check if the elements are all there. There are a number of options when using the outline mode:

1. You can view all outlines by holding down Control (or Command for macOS) and E.
2. You can also view the outlines of any one layer by holding down Control (or Command for macOS) and clicking on the layer’s eye icon. 
3. You can view the unselected layers by holding down Alt and Command (Option and COmmand for macOS) and holding down the eye icon on the selected layers. 

Next up, there is the Pixl preview method. This mode will allow you to see the artwork’s appearance when you save it to be viewed on a web browser. As you may have guessed, this is a good choice when you want to save the file and post it online. 

Lastly, there is the Trim View Mode. This mode shows you all of the elements that are due to be printed, and anything that won’t be printed will be hidden. This means that any guides and grids are hidden, and anything lying outside the artboard is cut out. 

The great thing is, though, you can create in this mode and continue to edit your work. 

The mode you preview in is essential as it will give you the necessary information about your work and how it will look printed or on the web. So, always make sure to do your research about what kind of mode works best with whatever your plans for the work are. With the right preview, you can catch mistakes early!

Final Thoughts

Now that we have taken a look at how to use the preview modes on Illustrator, you are ready to get started! Now, before you save your files, you can check how they look and if they are ready to go out into the world! We hope this article helped clarify how these systems work and how to use them to your benefit!

Have you ever gotten the best, most perfect, beautiful shot, but the eyes were closed? It is always disheartening and sad, but Photoshop allows you to fix this. 

To open the eyes in Photoshop, you would have to choose two similar angled images, drag them on top of each other, create a mask, and then paint over the eyes to reveal the effect and open the eyes. You can make some adjustments to make it look more realistic. 

For a detailed guide, continue reading the article. 

When Is The Opening Eyes Technique Used In Photoshop?

This technique is used in Photoshop when you need to open up a subject’s eyes in a portrait. It is typically done when the eyes of the subject are closed, when the eyelids are too heavy and need to be brightened, or when the eyes are not open wide enough. 

A prerequisite for using this technique is to have multiple pictures of the same subject from the same angle. This makes it easier to adjust the eyes and open them in the picture that needs it. 

You may be wondering why someone would use an image with the eyes closed when there is a similar picture with the eyes open. This is because sometimes the shadows, highlights, and frames vary, and the picture with closed eyes might be a better quality photo than the rest. 

Photoshop Elements also allows users to open their eyes using a reference image. Watch this video: 

Choose Your Pictures

Once you have a picture with the eyes closed that you think is the perfect one to use, go through your entire collection of portraits taken from the same angle. Make sure that the second image you choose is from the point of view and is as similar to the first picture as possible. 

This is easier to do if you take a lot of pictures or use the burst option in your camera to take pictures. 

Drag Images To One Canvas

Open both the images you have chosen in Photoshop; they will open in separate tabs. Drag the image with open eyes and drop it on the canvas of the image with closed eyes. To do so:

1. Click on the image with open eyes and drag your cursor toward the tab of the image with closed eyes. 
2. The window will change.
3. Now drop the image in the Layers panel and release the mouse. 
4. The image with open eyes should be placed on top of the image with closed eyes.
5. Toggle the eye button for the new layer to look for errors in the alignment of the pictures and to ensure that the eye area matches.

Align The Two Layers

To get perfect eye coordination, the two layers need to be aligned. As much as you try to do it manually, it may take work. To do so, use Photoshop’s tool:

1. Select the two layers. 
2. In the control menu, go to Edit and select the Auto-Align Layers option.
3. In the window that opens, choose Auto, and click OK.
4. The two layers will be perfectly placed on each other.

Create A Mask

To create a mask on the first layer: 

1. Turn on both layers. 
2. Hold the Alt or Option keys and look for the icon that creates a mask in the Layers panel.
3. A mask will be created next to Layer 1. 

Use The Brush Tool To Open The Eye

Now we will erase the mask to reveal the effect that we want. For this, we will use the brush tool to paint over the eyes. To do so:

1. Select the mask and then select the brush tool.
2. In the colors tool, make sure the color is white. 
3. Set the brush flow to 20.
4. Zoom into the image as much as you can on the eyes.
5. Slowly begin painting over the eyes.

Make The Final Adjustments

If the eyes seem slightly different and the picture needs to come together better, try the following tips.

1. Paint over the eyebrows as well when you are painting the eyes. 
2. While still in the previous step, hit Ctrl + T or Command + T, then press the down arrow key to move the eyes lower or the up arrow key to move the eyes upwards. Hit Enter when you are done. 

Conclusion

Voila! All images you thought should be deleted are now saved through an easy technique. It takes some trial and error to get used to the adjustments and the many steps, but it becomes easier once you get the hang of it. Do not give up!

Taking the perfect picture only to return to your computer and finding that a lens flare ruined it is one of life’s minor frustrations. Some simpler forms of lens flares may be eliminated with clever Photoshop work. Still, it’s crucial to note that there needs to be a clear, automated method created to eliminate lens flares from images.

The three fundamental techniques for eliminating items from an image in Photoshop apply equally well to lens flares and any other undesirable elements in your picture. You can use the Content-Aware Fill, Cloning, and Healing tools or simply adjust the hue and saturation.

The approach you decide on will depend on the contents of the image, but you might want to try out a few different approaches to compare the outcomes.

How To Remove Lens Flare In Photoshop

Lens flare may be eliminated via three different methods using Photoshop. In this section, we’ll go through every one of them.

For more information on how to remove lens flare in Photoshop, watch this video below:

Method 1: Content-Aware Fill to Remove Flares

This is the closest thing to an automated means of removing lens flares; however, it only works when the flare is placed on top of a somewhat plain background.

You’ll end up with a fuzzy mess—or perhaps something somewhat nightmare-like—if the backdrop material is very complicated, such as a regular pattern or an inflexible design like a face.

1. The first step in removing a flare using Content-Aware fill is to choose the area surrounding the flare. The Elliptical Marquee tool is the easiest choice for this one because it is round, but you may use any of Photoshop’s selection tools instead.
2. If you have many flares, you may correct them all at once by holding down the Shift key while you make new selections. If you prefer, you can also address each flare separately by repeating these instructions as required.
3. Open the Edit menu after that and choose Content-Aware Fill. The CAF workspace in Photoshop will appear, giving you a glimpse of the outcome and letting you choose which areas of the image will serve as the fill’s source data.

We’d call it a successful outcome given that it only needs a few clicks and no human labor! Although it could look better, it prevents the flare from becoming a visually irritating part of the entire picture.

• Make sure “New Layer” is selected for the Output To option before clicking OK. You may update your patching later if required without having to redo all of your previous modifications since it will display on a new layer on top of the original image.

Method 2: Cloning and Healing to Remove Flares

If the Content-Aware Fill tool doesn’t work, you might want to attempt manually removing lens flare artifacts with the Clone Stamp tool and Healing Brush tool. This can take significantly longer than utilizing CAF, but it can produce superior outcomes in challenging circumstances.

1. Set up a new layer to contain all the cloned pixels, which will serve as a fix to hide your flares. Alternatively, you may utilize the keyboard shortcut Command + Shift + N (Ctrl + Shift + N on Windows) or the Layer menu.
2. Click OK after giving your layer a specific title.
3. Utilizing the toolbox or the S shortcut on the keyboard, change to the Clone Stamp tool.
4. Keep in mind the Sample option is switched to Current and Below in the tool settings screen at the top of the program window.
5. Holding down the Option key (Alt on Windows) and clicking the region, choose a good portion of the image to serve as your clone source. Your lens flare artifacts will be hidden by using this region as a patch.
6. Make sure your newly created blank layer is chosen before removing the flare artifacts.

It’s difficult to say whether this is a better outcome than what you can obtain when using the Content-Aware Fill tool, but it will take a lot longer to use

Method 3: Using Adjustment Layers to Remove Color Tints

You might be able to apply a Hue/Saturation adjustment layer to get rid of the color tint if your lens flare appears as an odd color distortion.

1. Open Photoshop and choose your image. From the Layer menu, choose New Adjustment Layer from the submenu, and click Hue/Saturation. Click OK after naming your new layer something useful.
2. Click the color selection dropdown in the Properties panel and pick the color range that matches the color distortion caused by your lens flare.
3. After separating the appropriate color regions, play around with the Hue, Saturation, and Lightness sliders to eliminate any remaining lens flare color.

Conclusion

That’s pretty much all there is to learn about removing lens flares in Photoshop, so make sure to experiment with these techniques to figure out which one suits you best. We hope this tutorial will be helpful if you set out to remove lens flares in Photoshop. Happy editing!

When we capture a film or take a picture with a green screen backdrop, we need to edit the video to remove the backdrop and replace it with another one. But how do you remove the green screen?

As demonstrated in this tutorial, you may easily erase a green screen with Select Color. After completing the first selection, we’ll go over a simple technique for removing green borders from your image or video using Select and Mask.

Keep reading below for more information.

How to Remove a Green Screen in Photoshop

You can remove the green screen by following the instructions listed in the section below.

For more information on how to remove a green screen in Photoshop, watch this video:

Step 1: Choose The Color Range Tool

Photoshop allows you to do this in a variety of ways. One possibility is the button marked “Select Subject.” Another option that will help get rid of the green screen is Select > Color Range.

• We’ll be employing Select > Color Range for the purpose of this tutorial.

Step 2: Select Quick Mask

• A color range box will show up on the screen. 
• To keep everything simpler to view, set the selection preview to Quick Mask, but feel free to experiment with the other options to find your preferred one.

Step 3: Select Background

• At this stage, we’ll choose a portion of the green screen by using the eyedropper tool in the color range box. 
• Continue selecting the full green backdrop while holding down Shift. If you make too many selections, you could always hit Control + Z to reverse them. 
• Press OK after you’re done.

Step 4: Apply Layer Mask

• Give your image a layer mask. 
• Then, select an option from the dropdown menu. The mask will start filling in the selection form. 
• You can drag and drop a picture into the new layer if you want to add one.

How To Remove Green Screen Spill

Photoshop’s advanced Select and Mask feature may sharpen edges and create more precise picture cuts. You can rapidly remove green screen spill by using a refine edge brush tool and a few automated refinement settings.

Step 1: Open Select And Mask

• Click twice on the layer mask of your picture layer to open Select and Mask.

Step 2: Set The Edge Detection To “Smart Radius”

• Before you start tweaking anything, choose your edge detection tab and select the Smart Radius checkbox.

Smart Radius instantly adjusts the hardness of your brush based on the border you are approaching. It enhances the edge detection performance of Photoshop, to put it simply. This is quite helpful for the Refine Edge Brush’s subsequent step.

Step 3: Use the Refine Edge Brush to Paint Over the Green Spill

• Choose the Refine Edge Brush Tool from your toolbar to start.
• It functions just like every other brush-type tool in the application. Simply scale the brush using the [or] keys if you want to modify its size.
• Any portions impacted by the green spill should first be painted over. In rare instances, you might additionally need to paint over regions the previous color range selection didn’t correctly choose.

Photoshop will instantly improve the edge as you paint near the subject. Even individual hair strands can be painted to cover up any green glow that may be present.

Note: There is a simpler method to choose the hair than employing the Refine Edge Brush when you’re dealing with a picture. In the upper options bar of more modern updates of Photoshop (versions 2020 and newer), there is a Refine Hair button. Click this option, and Photoshop will instantly remove the green splash surrounding the hair!

• Until the majority of the green spill has vanished, keep moving along the margins of your subject.

Step 4: Inwardly Shift the Selection Edge

• Utilize the Shift Edge slider in the Global Refinements Tab if you have any green left behind.
• To move the selection edge from its initial point inward, reduce the edge value to a negative percentage. Doing so improves the cutout, and the green fringing is removed.

Step 5: Check-Off Decontaminate Colors

This last step is optional because it enhances certain photographs more than others. This setting should be the last resort for removing the green spill since it significantly reduces the fringing in your shot.

• This setting may be chosen by checking the box next to it at the end of the Select and Mask adjustment panel. 

Try it for yourself and see how it affects your shot. And besides, you can just uncheck it afterward if things don’t go well!

Step 6: Select Your Output Options and Press OK

• Choose your output options for your selection changes after all of your settings are in place. They may be added to a new layer mask, applied straight to an established layer mask, and much more. 
• You may access all of the options for your picture by selecting one from the drop-down menu. 

Conclusion

You’ve successfully erased the green spill surrounding your subject and the green screen in the backdrop! You may instantly modify the backdrop or include your subject in other photographs with a flawless cutout.